Showing posts with label water. Show all posts
Showing posts with label water. Show all posts

Tuesday, 25 September 2018

Mynapi Waterfall Trek - Negotiating the Rivers of Human Terrain


 

 
I'm totally zombied out. Sitting in bed, looking at the sun dappled bamboo outside my window, I'm finding it difficult to express the experience I underwent yesterday. All through the drive back home, I kept checking in to figure out what I was feeling and drew a blank. Such as I often do when any event is overwhelming or extremely challenging. It had been a long and arduous day but I wasn't tired, even though my body was hurting. I was in a nirvanic – a beyond words, kind of space.
 
I woke at 5am to leave for Panjim by 6am, to meet Bianca and Bjorn and their team from Off-trail Adventures by 7am. I had to park my car at Patto Plaza, walk across to the other side of the Panjim-Ponda Road, meet the other trekkers at Heera Petrol pump and board the bus that would transport us to the location.
 
 
Strapped with a ten litre backpack, a fanny pack with my phones and emergency essentials, and carrying yet another bag with a change of clothes, more water and food, I ambled across, the ten minute distance, without demur. Ordinarily, I would have scouted for help, but I had signed up for a day long trail where I was supposed to traverse 18 kms, so this was just the start.
 
 
Picking up people along the way at Cortalim Junction, Verna and Margao, we reached Quepem at 8.40 am for a quick breakfast. Before leaving for the final hour-long bus lap towards the Netrawali Wild Life Sanctuary, where the expedition officially begins.
 
 
 Goa is so green in the monsoon that it's a delight for the eyes. And the emeraldic-leaf green of the paddy is a very special colour. Unlike any hue in my paint or thread palette. But, this agrarian landscape wasn't a patch on the virgin forests that unfolded as we tread the terrain of the Western Ghats.
 
 
 
It was my first hike of this kind and that too as I completing sixty years of age. It was ambitious but I had no idea of the agony my frame would go through as I negotiated smooth rocks, wet and slippery with slime, the possibility of leeches shimmying up my flesh unseen to suck warm blood and more. And, when I got home at 9 pm, fifteen hours later, the top of my thigh muscles were stiff – more like rigor mortis rigid, but it was my big toes that were wailing louder than the cicadas of the forest. Even the gentle touch of the light quilt I sleep with, was evoking yowls of pain. And to top it all, grasping at crevices to find a grip, at the very edge, before we glimpsed the Mynapi waterfall, I think I may have cracked the middle finger on my left hand. Or at the very least pulled a muscle. I had to put the full weight of my 65kg on hands and knees to scramble up. They're not used to it.
 
 
Today, I've tried to get up and about as I would a normal day, but if I sit or stand, it's really painful. My shoulders are speaking of their burden (which wasn't much more than a litre of water, light trekking sandals, a sandwich, a light raincoat-which was pointless to wear) and 10gms of salted Kaju. But, I'm inclined to think the load has more to do with feeling exhilarated by an situation and occurrences that tested me at so many levels and left me relatively immobilized. And, it is my inability to put this entire venture into any comprehensive perspective that’s keeping the mind in a spin. I've not really wanted to get on with my usual day or do anything other than look at the pictures and re-live those moments. Or search online for things like shock-proof sticks and dry bags so that I'm better prepared next time. And a better pair of shoes too!
 
 
 Yes, there has to be a next time. Being so close to nature, without the trappings of urban behavioural niceties, I felt the rawness of fear. I faced the power of the resolve: ‘I have to find a way’. I grappled on all fours, heaving myself up or slithering down on my butt. All very ungainly and un-lady-like, and in full view of strangers – all of them, mostly youngsters in their late twenties or early thirties. It was a no-holds barred episode. It was a getting in touch with yourself encounter like nothing else I have associated with. A revealing confrontation at that.
 
 

 
As we entered the sanctuary, leaving the bus behind, we strolled along a tarred, regular road but within minutes turned off to the left, towards the Mynapi falls. The signpost said 4.5 kms. Very doable I thought. Since the age of 34 years, when I'd become aware of the merits of some exercise, I've been striding exactly this much each evening - down Walkers Lane in Friends Colony (East), in New Delhi- topping it up with swimming and cycling, so I thought it was going to be par for the course. Yes, uphill for sure, because we were going to the waterfalls, but just a couple of years ago I'd done the haul from Gethia up to Nainital and back and also climbed up and down Matunga Hill in Hampi, at the crack of dawn, wearing plastic Crocs without a strap. That had been quite scary too because it had rained and the boulders in Hampi, well they’re something else. So I thought I was prepared. Doubt hadn't even entered my head.
 
 
 
As we entered the forested area, I could hear an uprising of some insects. It was as if they were wailing that their coveted greens were being invaded. I was told they are the cicadas – extremely small but very noisy. And yes, they could really cook up a racket. I was looking around eagerly, at flowers and the tall foliage, growing higher than us. Reminding myself to keep my gaze focussed on whoever was ahead of me lest I lose sight. We bent lower than low, crouching under boughs and leapt over fallen or felled tree trunks lying in the path. Trampled over a seemingly unending carpet of leaves, red, green, brown, blackening as they composted themselves back into the earth. The light on them glinting as if shining off silver. It was an overcast day, but no rain yet. I couldn't imagine what they'd look like on a sunny day. Even as the tall forestation probably doesn't let in much light anyway. But the mulching leaves fascinated me – especially the blackened ones.
 
 
 
An adept trekker classmate of mine had shared a few tips. She'd suggested changing into sandals as we crossed the rivers and streams, advising that it's best not to keep your feet in wet shoes and socks all day long. But we came upon a narrow rivulet within fifteen minutes and it was barely four feet wide, so I didn't change. I couldn't bring myself to stop to change and revert back into Keds after a minute’s stride. My socks and shoes were now wet and we later strode 3-4 kms in the river itself. With uneven rocks, often jagged and pointed, where I needed to lodge my feet in whatever gaps I could find, I cannot envision the state of my feet without the protective covering of my socks and shoes. Even though the wet and confined feet did eventually lead to unbearable pain and a mild infection necessitating antibiotics and loss of toe-nail. t didn’t make sense then, to fiddle around with footwear mid-way.
 
 
 
At first we rambled alongside the river. Vicinal to the soothing resonance of water rushing downhill. Gurgling and splashing as she fluidly opposes boulders and mud banks, insistently carving a path despite all the obstacles in her way. I was loving every minute so far. Then we crossed to the other side because the topography was relatively easier. At one point all we had, to place our feet on to cross a hilly edge, was a thick vine. Bianca kept encouraging us, saying it's very strong, don't be scared. But I was. Having her at hand-holding distance, should any of us topple or if it gave way, was little consolation but as I put one foot on it and then the other and crossed that two-foot space, and it didn’t break with my bulk nor after ten or more who came before and  after, I realised just how strong they were. And later, grappling for support among the boulders, as the flow of the watercourse got rougher,  I scanned the foliage on my side, looking for these vines to hold on to.
 

 
We kept crossing the gushing stream back and forth - guided by Bianca at the front, Prashant in the middle and Bjorn at the tail. I chose to stay with Bjorn. I couldn't contemplate attempting the hazardous slog through the water, flowing with quite a strong current at points, all on my own. I'd already slipped once and his strong, youthful arms had saved the day. So this is what I banked upon the rest of the way.
 
 
Every time he thought there was some stable ground, and let go of my hand. I took a dunking. I must have fallen at least five times. But being at the end, also gave me time to stop and take some photos. It was dicey taking my iphone out of its protective cover.  I only attempted this once in a while. The photos I have are mere trinkets of what I saw with my eyes, endured with my body and the unbounded beauty which gave me the strength and spirit to keep on track.

 

 
The youngsters that were part of this group didn't think this old aunty, would actually manage that final steep cliff which led up to the water fall. And honestly, if I'd thought about It, I wouldn't have. And when I do reflect back on the trek, it's this moment that keeps coming back.  I'm filled with such a sense of daunting. It was treacherous, to say the least. I'd be terrified attempting it again, knowing what a close call it is. That hard rocks and fast flowing water, awaited my fate some fifty metres or more down below.
 
 
But Bianca had come back for Priyam and me, the stragglers who were being assisted by Bjorn and Prashant. Just thinking that she's gone up with the others, descended, back-tracked to find us, then scaled up ahead of me, showing me how to do it, gives me the shivers. We were so close to the waterfall, in its full flow at the monsoon. I could hear the flowing waters, I was wet with its far-reaching spray And so was the almost ninety degree vertical cliff-rock we ascended – without any mountain-climbing skill or gear. It was just a short stretch but what a task it was!
 
 
 
At an extremely crucial point, one foot lodged as firmly as one can on a  narrow and precarious crevice and the other reaching to find its foothold, from behind me Prashant says "look up, look up, you’ll get a sneak preview”. I didn't want to take my eyes off the risky geography I was tackling. I didn’t have a secure foothold either but, I'm a sucker for waterfalls. There is something so magical about this cascade of water pouring down from the height of hillsides. Be it the Canadian Niagara or the famed milky Dudhsagar on the Goa-Karnataka border, I have made my way to them delighting in their majestic watery vistas. So I did look up - just one moment of perilous viewing before Bianca urged me to take the next few steps up, hold onto her hand and heave myself up to see it, in all its cascading glory. A bride’s lushly crocheted lacy veil, trailing through the steep rocks covered on either side - a mossy carpet of green, a vertical and hazardous church aisle with a deliciously refreshing aqueous pool at its base.
 

 
We had been walking for over three hours at this point. It had been arduous to say the least. Not because the hike was taxing in the physical capacity, but because it had required every vestige of courage, presence and sheer utter focus -  such that is not factored into the rituals of daily living. At one point Prashant and a few others pulled a log of wood, from the water, for us to move from one point to the next. And in one of my photos I can see him giving a young man a push to garner enough height to rise up. It was tough. I was relieved to have reached the scenic spot. I was ravenous and drained. So the first thing I did was to eat my egg and cheese sandwich, gulp down some Electral before I off-loaded my backpack and fanny pack to crawl my way down into the water. I wanted to get right under the fall but was advised not to as, being so forceful at this point, it also carries small stones down from the mountain.
 
 
I bathed and crawled back onto the mud splattered, wet and slithering rocks, on all fours. It was a kind of primordial reconnecting with one's animal self. Uncaring of anyone's gaze, of the mud on my butt and drenched hair- looking nothing like the carefully crafted urban visage I'm accustomed to recognising as myself. It didn't matter. I sat on a stone-free muddy spot, momentarily  secure of my seat and gawped at the flow of water, conjecturing with Joan and Jaffrey as to its height. Was it 300 metres, was it 200 or more, we couldn't decide but it was beautiful. Not as awe-inspiring as the Niagara, nor as wide and as gushing a river of milk as Dudhsagar, but tucked away in this nook, away from the prying eyes of the casual passer-by; away from the reach of those that don’t value nature’s bounty enough to refrain from despoiling, it was a sight to behold. Especially since one had trudged a difficult path to do so. I was exhausted but enthralled. I was mesmerized by this proximity to nature that had compelled a propinquity to my own  - that sense of provocation I have always been prone to. That never giving up attitude - no matter what. That slow but steady stride and this love for being among rivers and mountains and the grace of green that surrounds it - the natural habitat of the planet. Facets of my own nature that,  I don't often recollect, nor consider much, unless life mirrors them back to me, this way.
 
 
 
Priyam and I had taken our time getting there, so we had less rest than the others, before Binaca herded us off again. No, we didn't go back the way we had come. I think I would have died had we to do that, but the ascent up from the base of the waterfall was steep. Ultra-steep and there was barely enough mud to give our feet traction. At one point, unable to muster the spirit to haul myself up with the depleted strength of beleaguered thigh muscles and leaning on equally dog-tired arms, from behind me, Nalita gave a push up from my bums. It was effective and a relief not to rely on my fatigued form alone. It was an extremely narrow track and we had to keep moving single file. I was in the middle, not the end as before, so had no option but to keep travelling. But my vitality was flagging. I hadn't eaten much breakfast because not only was it early, I wasn't sure of how I'd fare in a bus through the Ghats on a full stomach. A sweet bun (local Goan bread) and tiny glass of tea had been enough. And with sips of water and the occasional salted Kaju, it had brought me to the falls.
 
 
 
 Lunch was going to take time to create its own energy. And the muscles were beginning to ache. Not to forget the toes. My god they hurt. But I kept moving until the trail widened a bit and the others could pass. When we stopped, Bianca took one look at me and said my lips were white. My remaining water was turned into Electral in a jiffy and I sat on a jutting rock, resting and sipping. I relaxed enough to see the misty view of the Ghats through the vines and took a picture from that spot. Too tired to lift my butt and move ahead of the dangling vines, I let them define the view – that was after all as I was seeing them, wasn’t it.
 
 
Joan, Lucy, Prashant, Jaffrey and Bjorn stayed with me till I felt able to resume the track. My legs and hands were trembling. They said we're half-way there. It's downhill now and that gave me courage. But I realised this wasn't true. Bjorn used the half-way there phrase three times later and when I said “but that's what you said an hour ago”. He smiled, telling me only right at the end, that is the only way to keep people going. If you think the end is in sight, you muster strength. And it's true. That was probably how I kept proceeding. Even after a massive cramp in my feet and legs, when I finally changed into my sandals and gulped some salts. It was only then that I  took a longish break. So long, in fact, that when we reached the bus, Bianca was beginning to wonder if she needed to get some medical facilities to us.
 
 
 

 
But the snails and flowers and unbelievably beautiful caterpillars and millipedes that dotted the landscape diverted attention from the rigour and pain. And then at the last lap it started to rain quite heavily, but the tree cover was so dense that I didn't feel much on me. We reached the bus dripping wet from head to toe. We'd crossed a few more brooks and gushes. Washing my face with the cooling freshness of the water, even our feet felt great to wade through them. It took some of the tiredness away. And the entire journey was dotted with such, always available refreshing, moments - even in the midst of hardship. It was quite an eye-opener to see just how much of what one needs is really always at hand.
 
 
 Tired, relieved, but mostly chuffed at having completed the journey in one piece, I changed my clothes and got onto the bus when everyone burst into applause. Joan sat down next to me and said "can I please take a selfie with the legend" and she's got one of me looking wan and exhausted - my hair like nothing I'd ever dare post in a photo. But then I didn't care. I couldn't. These social niceties were out of place where one's endurance, grit and resilience had been tested. When the body strong was more valid that body beautiful. When triumph was an obstacle course completed and not how presentable I looked at the end of it. If only one could make this more relevant in terms of the rigours of living. Not to care what experience does to our self-image, was a profound realization.
 
 
 
At the end of the whole journey, when we got off the bus at Panjim, Yogesh, Priyam and I sauntered up towards Panjim bus stand. Yogesh is a young strapping lad and he was the first one to reach Mynapi. He'd been so pickled by it that he told everyone again and again. Clearly all of us had markers of achievement along the way, each one a personal triumph. I shared that my limbs were aching but that I wasn't tired and Priyam exclaimed that's exactly what she was feeling too. A question of mind more thrilled than the body could cope with, said wise Yogesh.
 

 
It was Priyam' s first trek too. She’d come from Mumbai to hike up to Mynapi. But she was much, much younger and it reassured me to know that she was experiencing similar pangs of discomfort as I. She also shared that while she watched and waited as I struggled with the last leg but extremely treacherous and precarious ledges before reaching the waterfall, she’d thought to herself, this may well be her last day on this planet. Thankfully I hadn’t had the time to think about this, that I had preceded her, and urged by Bianca, didn’t stop to fear. Those tremors came as an afterthought.
 

 
 
We'd walked on the edge of experience. We'd staggered on the very ledges of life. Our accomplishment lay in embracing the foreboding that nature posed on our way and reaching home safe and sound. Barring a few leeches that had sucked the blood off Lucy and Jaffrey, the soon to be wedded couple, and a few others,  there had been nothing untoward and tragic that occurred. We all carried that sense of elation within – a palpable excitement of living through it - a shared journey, shared rigour and shared joys.
 

 
As I mulled over this extraordinary happening - I considered why this has been so rewarding but the other challenges where we have had to touch our primate selves in similar ways - the emotions that life can evoke in us, that others can raise in us - the rigour of relationships and more, why don't we feel this same sense of exhilaration, accomplishment and sense of our own power in them? Why do we cower and demur from these triumphs; making these expeditions in nature  hallowed goals. Quite honestly, it has to be the daily march through the dark alleys of being, traversing the rivers of human terrain which are the quintessential encounters we undertake that, test the spirit equally, if not more. Requiring as much of a leap of faith. Don’t they, every day?
 




Friday, 1 March 2013

A Season for Tears


It was sometime in the middle of September, a year ago, on a Friday, around 4.00pm. I’d just had a cup of Earl Grey tea, edited some pictures on Photoshop and done some mundane stuff on the internet before I headed down to the swimming pool. I recollect seeing the sky in the far distance looking very dark and grey but it was at the edge of my landscape, in the far horizon and I did not really dwell upon it. The sky had been overcast most days since July but it had only rained in dribs and drabs. In any case, an overcast sky was not something to cause concern, especially not in the monsoon season. 
 


 
The water in the pool looked as deliciously aquamarine as always. It is a colour I am particularly partial to and reminds me of my Caran d’Ache colour pencils, through which I discovered my penchant for this hue many years ago. Zohrawar, a neighbour’s two year old was trying out his new motor-boat. Once I came into the pool he went to play with his toy in the kiddie’s pool, so I had the larger pool all to myself. I did a couple of lengths and then saw grey clouds rush overhead. I paused, hung onto the edge of the pool to watch this spectacle as the sky darkened. I was enchanted by the shades. How many shades of grey can there be, I thought? And for every five that I counted, nature added another two, or so it seemed. I stopped counting and just watched enthralled. 
 
 I wondered if it would rain today. I’d often hoped it would rain when I was in the pool but it always would begin raining only after I had swum, changed and was ready to go back up again. But my luck changed today. The coach and swimming pool attendants ran inside leaving me with the clouds, the now darkened shade of aquamarine water in the pool and leaf green Ficus hedges around the pool, waiting in anticipation. Even the pigeons had taken shelter, hiding in crevices and windows of the building; some, perched on a cable wire suspended high up on the thirteenth floor. Five of them appeared to be either jostling for space under the eaves or to maintain balance on the cable TV wire hanging precariously from one window to the next. 

At first, it just drizzled. It looked like little steel pins were piercing the water, radiating perfect circles around each point of entry, falling all around me. I thought of those days in school when we used a compass to draw circles for our geometry classes; piercing the paper with one end of the angular tool while a pencil took its cue from this and drew a large or small circle depending upon how wide I stretched the two straight lines of the compass apart. But here, there was nothing other than a delicate raindrop piercing the centre. The rest was a matter of course. The circles radiated out and then vanished as each rippled into the other, blending almost seamlessly with the larger mass of blue-green. 


 
And then I could hear loud plip-plops as larger droplets fell from the sky. I watched with delight as the aquamarine around me which, I am told, also represents the colour of the heart chakra, was jumping up to catch the drops. As the rain intensified, the water from the pool rose up higher with each drop that fell into it. And the heavier the water that fell into it or the larger the droplets were, the whiter the rising splashes seemed.  

Then the rain poured out of the sky and a refreshing, transparent, vertical curtain of water dashes fell upon me. It was heavenly to watch millions of pearly drops dance on the surface of the pool. There was no question of swimming now. I could not take my eyes off this mesmerizing scene.

 
The sky grumbled and lightening tore into the layers of darkening greys that had built up in preparation for this downpour. As the sky darkened even more, electric lights were switched on in many apartments inside the building. People, birds and even the stray dogs stayed away as I stood alone in the aquamarine water, watching nature’s tears dancing with joy at meeting each other in the pool. 

I love to cry. No, I am not a manic depressive; I just find tears very refreshing. I’d rather cry any day than deal with the stress of feeling frazzled and angry and all the rest of it. I know that crying is not everyone’s cup of tea but I find it hugely cleansing, especially when the tears flow effortlessly. But sometimes things get very intense and crying seems like such a luxury, so I envied the joy these rain droplets seemed to reflect in their relief at being able to surrender to the inevitable. 

There is lightness in being able to surrender. I have even experienced weight loss when I can fully express myself. There is this wonderful oral folk-tale “Tell it to the Walls” which A. K. Ramanujan has translated from Tamil into English. I first read it in 1993 and have re-visited it many times since. It speaks of the cathartic function of unburdening oneself, even if it is to a wall, and of the relationship between obesity and keeping one’s sorrow to oneself.

As a young girl, well into my thirties, I used to be plump/fat. I would hardly eat. It seemed that if I smelt food or just looked at it, I would put on weight. I was brought up on the ideal that it was not considered good to speak of the unpleasant things that happened to one, especially not to anyone outside the family. The old adage – “laugh and the world laughs with you, cry and your cry alone” - was the mantra one was encouraged to chant. Or, grin and bear it, because someone else had a far tougher life and sometimes it seemed everyone else’s woes were greater than mine. Until one day, about 20 years ago, when I could bear it no more and everything I had been through just started to tell its own tale. I could not stop myself from speaking. I lost whatever inhibitions I had earlier and also lost twenty-five kilos in less than three months.



Everyone was majorly concerned, but I had never felt better. I let the doctors do all their tests and when I was asked to have a CT scan done as they could not find anything wrong in the numerous tests already conducted, I drew the line and refused to go through another test. And then I read this folk-tale and was reassured.

Ever since I have tried not bottle things up again and have more or less maintained my weight. I relish my tears. It is not easy to face the pain one is feeling but I know that it’s better than adding pounds and the dip in my morale when I see this on the weighing scale. I love old Hindi movie songs. The words and music are so moving, and I love singing the sad ones or watch them on TV and cry. When life gets crowded and the pain becomes an ache in the shoulder or back or some other part of the body, it’s harder to feel it emotionally, and at those points, I often resist these measures too. There’s too much work to be done, how can I cry, I tell myself. My brain screeches overload and then the silliest thing will bring it on. I feel lighter and often get a lot more done than when I was trying to be brave pretending that things were under control. There is so much relief in surrender if one can come to that point, and the exultant dance I witnessed was inspiring me to revisit this state. Nature has a season for tears; surely there is something to be learned from this? 


As the rain abated, the pigeons came back to the water’s edge and their dull grey feathers took on the reflection of the pool’s aquamarine. This was an everyday occurrence but when the sun is shining bright, the shade of blue they reflect is different. It’s delightful too but it was this atmospheric, deeper shade of blue along with the greyness of their feathers reiterated by the clouds in the sky, which charmed. I had watched the rain, shared in her joy at finally being able to descend the angry skies. I saw a million liquid pearls dance before my eyes and wondered if this was how the oysters caught the jewels we humans adorn ourselves with. I have often considered my own tears as jewels to embellish my life with. Not literally but through my creative expression; However, while this is refreshing it is not quite the same as being able to cry.

Later, as I walked through the garden passing by the gleaming green bushes, I heard a whispering of relief among the leaves. And the sensuous fragrance of the Champa flowers too had been heightened by the refreshing rain. 

 

Monday, 28 November 2011

What Does Water Mean to You? [Yamuna-Elbe Art Project]




Wild grass and the Loha Pul 
[entrance to Project Y]
I was given a transparent, glass bowl of water from the Elbe River in Germany to hold in my hands. Another, identical bowl containing water from the River Yamuna lay on the table. I was then asked to think of what water meant to me. For a moment, I just went blank but slowly the memories came.
The first memory that I recounted to Ines was of a holiday we took as a family in 1971 to Manali and stayed in a log hut in the mountains, overlooking the roaring River Beas. I remember the sound as much as I do the way the water rushed down stream because I had spent hours, even days trying to capture its waters swirling around a huge boulder, on my canvas. It was a child’s painting; an inadequate representation of the awesome power of water. The roar of its force as a billion gallons ran down the mountainside at such speed is something I still listen out for whenever I am in the vicinity of mountains. But, have to confess that I have never found the experience to be quite as enthralling as this one, when I was twelve years old. What had drawn my attention was the way this fearsome, rapid water, ran over a huge boulder effortlessly, without stopping or struggling. Its ability to silently circumvent obstacles that came in its path, rather than bludgeon through, destroying them with wrath, is another facet I remember not being able to bring to life on the canvas. Much to my embarrassment, this painting hung on my father’s office wall, behind his desk for years, visible to every visitor or colleague. I have no idea why he was so proud of it but, being there, it reminded me again and again of my inadequacy to represent what I had felt and seen. 
Ines Lechleitner during
her performance [with me]

When Ines asked me to recount, I was unable to say all of this, but her art performance triggered this memory and I became curious.   Why did this particular recollection come to the fore? And not those of many afternoons spent on the Shikaras[i] on Dal Lake in Srinagar or the Thames in London on whose banks at Cheyne Walk I had lived for more than four years, as a student. I recollect standing on Battersea Bridge, in the freezing cold at night, to draw the night lights on Albert Bridge. I also remember visiting the Niagara Falls, again in winter, and walking through icicles. There have been so the many water bodies I have encountered on my travels, in Scotland or even on the Okinawa islands in Japan, but it was this early memory that was foremost, not the others.
When we moved to Delhi from Calcutta in 1969, we lived in Maharani Bagh and then later in Friends Colony [East], both of which are close to the River Yamuna. I remember one year, I think it was 1977 or maybe 1978, when the Yamuna almost flooded. We would go to the embankment every evening to see the level the water had risen to. One day when it reached just about 1” below the wall in Kalindi, we were told that even a millimetre above the wall would cause massive flooding.  Everyone moved all their furniture to the first floor, but thankfully the flood never came. The water receded and somehow the Yamuna has never been quite the same again.



Atul Bhalla's Installation against
the Loha Pul
Recently, an afternoon in November, looking at the Yamuna-Elbe public art project, at the DDA Jubilee Park, near Old Delhi, on the banks of the River Yamuna, I wandered through Atul Bhalla’s installations of massive off-white, opaque, cloth and papier mache structures shaped like water bottles, embedded at all angles into the grey sand of the river bed. Each had a question beside it, drawn from the epic Mahabharata when the Yaksha or river spirit had asked the Pandava brothers why they should be allowed to drink from her resource. Atul posed some of these questions in Hindi. A small font below this, giving the English translation asked: “What should my revolt be, what is my place, what is my insanity?”   He posed the questions in reference to the river but without spelling it out, so the question could be about you too.

Sheba Chachhi's Installation on the
River Yamuna

I thought of myself as the River Yamuna and wondered what she would think of her place in contemporary society.  A river, people now, only visit to immerse ashes of their dead; she is no longer the water body that was once revered. Her revolt seems to be in evidence. Her water is undrinkable. Most localities in Delhi do not have sufficient potable water, but we have not yet learned. We still dump our waste in this. Later, as I took a motor boat to see Asim Waqif's installation in the water and also Sheba Chhachhi’s  white, unidentified, almost-abstract, floating form that could have been a yoni, or two legs or even two arms with hands held together in prayer, the stench was devastating. It smelt of sewage and, as Atul put it, all the drains of Delhi lead into the Yamuna; therefore it’s really no better than a sewer.  Her insanity was in evidence too; she endured, had endured for centuries and that she still flows is testimony to this. It reminded me of the River Beas I had tried to capture in all its fury running down huge boulders, gently caressing the surface, circumventing the rocks as if in complete understanding and acceptance of their role in the eco-system, however irksome to the river’s flow. 
Black water reflects the
sunset to perfection

The Yamuna water looked black, reflecting the sunset to perfection and had it not been for the stench, silhouettes of the birds that flew overhead would have made a wonderful picture, on this dark surface, reflecting a pinkish-russet sunset. The many faces of nature are baffling indeed, making me consider whether we can ever fully grasp this.
Atul on the motor-boat ride,
Asim Waqif's installation behind him

 Environmentalists and now artists are crying about an imbalance in the eco-system, implying we are not taking cognisance of its fragility and, I wonder, whether it’s the fragility of nature at stake or the fragility of man to accept his own power of harnessing nature with the same grace that this water seems to accept our offerings of plastic bags, waste and marigold as well as ashes of cremated bodies. I recollect Art of Living’s Sri Sri Ravi Shankar had spoken about a campaign for cleaning up the Yamuna, so asked Atul who accompanied me on the motor-boat ride, what happened to that project and was told: “All these campaigns are mere theatrics. We need massive sewage treatment plants to clean up this river.”
Gigi Scaria's Tower

Gigi Scaria’s tower, meant to purify the water threw up a fountain of really dirty water – the tower spouted a darkish liquid, which was anything put purified.  Showing us just how putrefied this water had become. Yet the bowl of water that Ines had collected was not that bad. It was not quite as clean as the water she had carried from the Elbe, but just slightly hazier than this, not the muddy fountain that was being spewed from Gigi’s purification tower. Leaving yet another trail of thought and questions about the real state of its being and also about our perception of things: how a glass bowl, with its own transparency, seemed to clarify what looked immensely black when I rowed its depth and equally dark and threatening as it seemingly refused to be cleansed by an artist’s endeavour, as if mocking his attempt.
Chappals and the keechad

What the future holds in respect of our natural resources, whether nature will inflict her fury or man will self-destruct are questions no-one has answers for.  Project Y did however make me question various parameters of existence, recollect memories, roam uninhibitedly on the sand, letting the reta mitti[ii] sift through my chappalled[iii] feet, walk among the wild, uncultivated foliage - mostly rushes and weeds, and through  keechad[iv], feeling liberated from the otherwise constraining factors of urban living. I was blissfully able to disconnect with this, let go of the need to control the emotions in order to get by. Inspired by the water and her philosophy I re-discovered compassion; however insane it may seem in a world where being ruthless is admired and goodness is seen as naive and foolish.



Still from Vivan Sundaram's video
Finishing off my exploration with a cup of tea, I chatted with Deeksha Nath, her mother, her seventeen month old son and husband Kabir, Meera Menezes and Atul Bhalla. Rounded off the experience watching Vivan Sundaram’s video of his homage to the Yamuna showing a raft made of thousands of ‘Himalaya spring water’ plastic bottles, the caps all the same tone of bright, chameli [v]pink being lowered onto the waters of the Yamuna and rowed with a priest seated on it, dressed in full regalia. As the journey was deemed finished, the raft of plastic water bottles was ruthlessly broken into pieces, on camera.  It was a visually seductive video with the pink bottle caps and the Loha Pul[vi] in the background. A major landmark of the Jubilee Gardens, the iron railway-cum-motor bridge carries, to this day, trains and cars to and from Old Delhi railway station. In all the years I have lived in Delhi, I have no recollection of this bridge or, for that matter even taking a train from Old Delhi Railway Station. However, I did reach there today by travelling on this bridge; a novel experience indeed.
Asim Waqif's Installation
against the Bridge

Inside the car on the Loha Pul
en route to Project Y
The River Yamuna was there when the Mughal’ s built their forts, the British came to trade and stayed to rule and also when they went and the blood of partition brought   thousands from Pakistan who settled in Delhi. She was there when the Pandavas of the Mahabharat were in exile and she is there today.  This river has been able to endure much more than we give nature credit for. Maybe the fear we have of eroding her resources is just a perception based upon a limited exploration of our own expandable and enduring nature? It’s not that I condone the filth and stench. We certainly have to find the means to cleanse this water body; we must re-pay the debt of her life-sustaining water. But for me this exploration on the banks of the Yamuna has been more of an inspiration than a lament. The River has seen interesting times. Her nature is enduring, her muteness seems foolish yet, is also wise in thus accepting her designate role in life; flowing from one state to the next. Isn’t this the stuff that all our lives are made of?


[i] Kind of boat
[ii] Grey sand
[iii] Slipper[ed]
[iv] sludge
[v] Fuchsia pink
[vi] Iron bridge