Showing posts with label healing. Show all posts
Showing posts with label healing. Show all posts

Monday, 13 July 2015

How Do You Like Your Tea?

 

I haven’t been enjoying my morning cuppa for a while and it’s been bothersome because I like the idea of drinking tea in the morning. Coffee is too strong and something I indulge in only when I am really tired and need to keep going. Don’t get me wrong, I love the taste and aroma of coffee but it just wires me up too much. But while tea does add a dash of caffeine to my lazy morning start, it’s not a jolt; it enables a steady, watchful pace into the day.

I have been experimenting with all kinds of teas, mixing up unlikely leaves to get something, a new taste, infuse some flavour into a jaded palette. And, over the last couple of days, I have realised that I just want a sweeter brew. I want it milky and sweet and this is something new for me. For years now, I have kept both the sugar [well, I take sugar-free instead] and milk to an absolute minimum, to relish the flavour of the leaf – the essence of the tea –rather than bury it with the add-ons.

May be it’s just a phase. Maybe it’s the heat or maybe I am just feeling a bit lost in the mire of doing. I don’t really know at this point what is causing this change from the subtle to the robust taste of things, but it is something I have noticed and am curious about.

It’s taking me back into the watchful mode, making me look at my days, my feelings and thoughts in an active way which, with all that doing, all that work, that doesn’t really do much other than exhaust me and leave little room for reflection, has been enervating indeed. I love looking at life unfold. I like to see how miracles occur in the day, how my thoughts create or how things unfolding around me create my day – its events – not necessarily stuff that delights, but bringing forth anger and irritation and more. I have realised that it isn’t so much about being busy as it is about not being able to deal with the stuff inside, the emotional ups and downs through engaging with people and not getting the desired response, or having to deal with their energy levels which could well be at odds with mine. And over the past couple of weeks of some quieter moments, I have realised it mostly comes about because of judging the way that I feel.



I was coming out of the pool the other day and a young man of thirty-something, who had been playing with his wife and kids as I swam my 50 lengths in under 40 minutes [it’s a small pool so no more than 825 metres], commented on my stamina. He was a virtual stranger and I was taken aback and, in my awkwardness, didn’t exactly take the compliment with enough grace. And that made me start the old babble inside the head. I stopped myself saying, it was okay to have been awkward, I was taken by surprise and focused upon getting out and getting back to work, I hadn’t expected it. And it was unusual one, don’t you think? 

A few moments later, I did something else that made me feel guilty – even as I was asking something of someone, knowing full well why I was doing it. And it made me realise just how much one does tend to judge oneself for things.  Where does this judgement come from? Who has decided what is the right way and the wrong way to do things and live life?

I have just spent a whole twenty days tuning into the Hay House online summit and heard over thirty-five speakers over three weeks. It was very inspiring. I learned many things and certain things that I had experienced were given definitions and more in the same vein. But what I noted especially about the whole summit was that everyone spoke about different things. Some were scientists who had learned about the spiritual dimension through their work and some were just people who had been abused as children and found a way out. Others were people who had evolved deep philosophies for their own life which they shared as courses and books and stuff. What interested me most were the stories that everyone had to tell, where the most miserable of circumstances and enormous pain was not something that they allowed themselves to be stuck in, but through which they have found their own philosophy and techniques to live a better and happier life.  Often the ideas of one could seem to be in conflict with other speakers, but this is what made it a great lesson in non-judgement. It was so apparent listening to diverse voices from all parts of the world, from various disciplines of learning that anything and everything leads to a deeper understanding of the spirit of being. And that there really is no other path for everyone other than what your life has charted. It’s about the proverbial Mahabharata of our personal lives, not something that is understood or arrived at by renouncing the world. What we need to renounce is judgement that says this is right and this is wrong.

I was sharing this with a friend, who then asked but what would you say for a man who has just killed someone in road rage? We had been discussing a mutual friend’s sudden illness when the conversation turned to this as I was trying to explain the mind-body connection. I was telling her how illness is essentially caused by suppressing our feelings and not expressing them, for various reasons. She said would you condone the killer, would you say that it was not wrong? I didn’t have to think this one through because for me it was the same thing – the sick person and the one who carried so much rage inside of him were coming from similar spaces of suppressing their feelings, of not finding the courage to express. In effect, probably judging themselves for feeling whatever it was because someone, somewhere, had dinned it into their heads to either get over it and let go, or such like. Something we often do, when we cannot listen to another’s pain.

I also noted that some of the summit speakers impacted my mind more than others. I tried various techniques, choosing a few that fitted in well with the way that I liked to meditate and heal the chakras, etc. But, above all, what I enjoyed listening to was the way everyone had positive things to say about experiences that could debilitate the best of us into not feeling good enough, into not wanting to get up and face the day, into despair and depression. Non-judgement didn’t come from sitting and saying why did I say this or that, or why did I think this or that and feeling bad about it.  It came from an acceptance that what they felt and experienced was what they knew and that their experiences taught them. Once we become aware, things do change. Life was their teacher and this inference was uplifting. 




My need for a more robust flavour in life, for sweeter and milkier tea rather than the subtle was just something that I needed to allow to come into being, for it to reveal the change in the mental patterns and resultant body chemistry. Maybe I was more willing to experience life in a more robust way. Or, maybe I needed a more robust flavour to bring me back into the fray....whatever it was, who’s judging, right?

Tuesday, 10 September 2013

I Am The Music I Could Never Be - Guest Post by Neeta Gupta


 Over the last few years I suffered a series of accidents that severely affected my cervical vertebrae. The only thing that helped was physiotherapy. And it seemed as if I would have to live with this debilitating pain for the rest of my life. I was also reading this wonderful book at the time, Anything Can Be Healed by Martin Brofman and his personal experience in healing was amazing. He uses something called “The Body Mirror System”. The system is based on the idea that the parts of your body that suffer reflect the parts of your life that are dysfunctional; that there is tension in your consciousness which causes these symptoms. To release a symptom, one has to release the stress that caused the symptom, and bring harmony to the parts of your life that have been, well, out of balance. 

When I looked within, I found an answer.

Now consider the fact that the cervical area is controlled by the Vishudha Chakra [i]. According to Brofman, “Metaphysically, this chakra is related to creativity manifesting in the physical world and the fulfillment of one's goals….This chakra controls the aspects of expressing and receiving. Expressing can be in the form of communicating what one wants and what one feels, or it can be an artistic expression, [singing, for instance] basically using a form for expressing and bringing to the outside what is within…” I realized that there was something I had been in denial about for over a decade. Of course there was disharmony.
 
 

There was a time when I was obsessed with classical music. There was a time when this music was like a secret language to me. It was the language that I used to express my thoughts. Not only was I training under a guru, I had also enrolled at a reputed music school to learn classical music theory. For me at the time, the raga was supreme: the be all and end all of my existence.

The word raga is derived from its root, ‘ranja’, which means ‘to colour’ or ‘to tinge’. And hence, ‘that by which all people are coloured or elated, that which gives pleasure to all, is raga.’

 A raga is pure aesthetics. It is the basic melody or phraseology of traditional Indian Classical Music. In the semantics of music, a particular arrangement of notes ‘colours’ or affects the emotional core of the mind. Every raga is composed of a set of principal notes which when employed in varying degrees, in a prescribed order - stressing on some, while bypassing others - achieves a particular shade or mood, building the character or personality of the raga. But a raga belongs to a realm larger than the notes it contains. The notes are just a key. A performance is not just a blending of swaras[ii] sequentially, and randomly achieving an effect. A performance actually deepens that ‘colour’ or mood in the listener.
 

Alternately, a raga has also been described as the language of the soul. This theory probably comes closest to explaining my own relationship with music. Each raga expresses itself under the pressure of a certain emotion. For instance, under the stress of sorrow, one might automatically render a particular raga; similarly we might sing a completely different tune on the wings of joy, irrespective of the time of the day. Imagine what songs we might sing in a storm of passion …imagine what joy we can communicate in union! A raga is richer than any musical outline of it could ever hope to describe. Any mental picture of it is limiting.

Coming back to my story, life and work took over and this music, which was so important to me, got relegated to being something I indulged in over the weekend, and then to something I went back to once a month or so--in a burst of enthusiasm, until finally I covered my tanpuras[iii] in velvet-lined casing about twelve years ago and there they remained, un-strummed.

By denying music, I had been denying myself my secret language, my self-expression.


And thus began a morning ritual of garam masala chai and riyaaz[iv]. Free of any formal structure or instruments. No rigours of taal[v]. No bandish[vi] of words. In this moment I dwell in the sphere of the swara. I dissolve in the deep concentric circles that surround each note, and as I go deeper and deeper in it, my only aim is to reach the centre—that ethereal space where my personal deity exists. It is a sacred journey I undertake each day. And every day I chance upon a different tune, thrown up by the vibrations and moods around me: mellow and sombre sometimes; playful and wanton at other times.

And unknowingly, a raga is born in that moment. And although it is born to me and of me in that moment, it has existed before. It’s just that I had banished it from my conscious memory but it had continued to exist in my sub-conscious. And slowly as I flesh out its texture, it takes on a life of its own. A known form - not bound by any bandish and taal, more like a gypsy tune that refuses to be bound by words, or ever be repeated. And for a few moments in that sacred space, this melody sings its song into my ear, and just as quickly flits away. Before I can catch it, before I can note it down, and later it is hard to recall. But for that brief moment I am captured by that sound. I am saturated with it, until I feel I might burst.
 
When I get up from this almost trance-like state, I feel as if I have been recharged by a high-tension main power line in space. And simultaneously from the very core of the earth this energy has both exhausted and replenished every cell in my body. I am in harmony.

And through the rest of the day I strum an imaginary tanpura in my head and as its music infuses my soul, I know that I may not be fully repaired but I feel strong and free.



Neeta Gupta has been working towards creating publishing connectivity's across different languages and cultures
www.yatrabooks.com
http://twitter.com/yatrabooks
 
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[i] Vishuddha is positioned at the neck region, near the spine, with its Kshetram or superficial activation point in the pit of the throat. Hence it is also known as the throat chakra
[ii] The seven notes of the scale in Indian music
[iii] A long-necked stringed instrument used in Indian music to create a harmonic resonance on the basic note or keynote.
[iv] to practice
[v] literally a "clap"; used in the sense of rhythm
[vi] A Bandish provides the literature element in the music, for standard structured singing; another connotation of Bandish is ‘binding’.