“.....And your cousins, and your aunts. Especially your cousins, whom
you reckon up by dozens and your aunts”[i]
Through this rather more
reflective stance, I realised that not only was there a lot of food, loud music
and dancing but that one needed a large family to celebrate a wedding in this
style. My father was one of eight siblings - three sisters and five brothers.
Three[iii]
have passed on and the rest are in their 80s and 90s. Each had two or three
children, except for my eldest bhua[iv]
who had five daughters and a son. Most of my cousins have married and have children
from young teenagers to those who have children of their own or, are on the
threshold of marriage. So, there were lots of people around to participate in
this big fat Punjabi wedding.
The ceremonies commenced with a Puja in Aunty Gyan’s home on Pedder
Road. She is my father’s sister, a little older than him, and Nanna’s mother,
which makes her Namrata’s naani[v]. She
was widowed when Nanna was just ten and has maintained a keen interest in
religion and spirituality.
There was some partying that
evening and the next, but I reached Mumbai on the day of the Sagai[vi], which
was followed by a Sangeet[vii]
hosted by the Chaddhas - Ankesh’s family [boy’s side] at the Taj Hotel on
Land’s End in Bandra. After settling into Rohini’s home and meeting her
children and my nephew Vivek [Meenal’s son], whom I had not seen in years, I
dressed and went for the boy’s Sangeet.
It was wonderful to see familiar faces, meet aging aunts and uncles still game
for the hulchul[viii]
of a large family wedding. Jugnu [Preminda] and Coco [Brinda] live in the US
and their brother Mickey [Pankaj Prem Nath] and his wife Ramal are doctors in
the UK. Their parents live in a Railway colony in Gurgaon as their father, Prem
Uncle, had worked in and retired from the Indian Railways.
My father is no longer alive. He
died of cancer in 1989, but I recollect him recounting that Prem Uncle, who is
his older brother, was slated to go to the UK to study chartered accountancy. His
berth on the ship had been booked and the course fees paid, when he decided to
join the
Indian Army and my grandfather instructed my father to do the course instead.
It was a strange story which stayed in my head. I have always pursued ideas
that I wanted and cannot imagine what it must have been like to opt for a life-long
career like this. But my father did and was successful as a financial man, even
though his life was almost three decades shorter than most of his siblings’.
Papa was born in 1922 in Montgomery,
which Prem Uncle says is a town on the railway line from Lahore to Karachi,
about a hundred miles from Multan. [I guess for a railway man everything is in
relation to the railway lines]. Prem
Uncle was born there too. The family roots were in the fortress town of Multan
but Pitaji, my grandfather, was transferred every three years, so not all of
his eight children were born in Multan but, they would return to their
ancestral home once a year. Pitaji, Rai Bahadur Gyanshyam Das[ix]
[Matreja[x]]
was a civil judge. He would stay with us in Delhi sometimes and I remember him
as a stern man who spoke little and always wore a solar topi[xi]
when he went out. He had retired from active service when he migrated with his
family to India in 1947. His surviving younger brother stayed on in Pakistan. No-one
knows what became of him because relations were strained and he had no
children. Prem Uncle recounted that he had married a Muslim and converted to
Islam, then left his wife and reverted back to Hinduism.
Prem Uncle chose to join the
Indian Army rather than pursue a career in accountancy because civilian jobs
were hard to come by then. He later joined the Indian Railways. During
partition, being a Major in the Indian army, he was able to travel to Multan in
that highly tense phase and on 13th August 1947, he escorted my
grandmother, Mataji, and his youngest sister Shallo, to Mumbai. Vishu Uncle, my
father’s eldest brother, had recently returned from studying in Cambridge and
was working in Bombay so Mataji went to stay with him. Pitaji was still in Pakistan
and Dindi Uncle[xii] with
him. Pitaji had been appointed a custodian of Hindu property and to oversee safe
evacuation of Hindus from Pakistan so he flew to Bombay just before Partition. There
were limited seats on the flight so he put Dindi Uncle on a train from Multan
to Lahore - a traumatic journey he was fortunate to have survived. From Lahore
he then travelled on a safe train. under government supervision, to Ambala
where Prem Uncle was posted. He later joined the rest of the family in Bombay
where most of my father’s family have since settled. My two sisters and I were
also born in Bombay, but our family later moved to Calcutta and eventually
settled in Delhi.
My father and three of his
brothers had left Multan before August 1947 and Gyan Aunty was already married and
settled in Bombay. His parents and two younger siblings came to India just
before Partition but his eldest sister and husband with five children, one a
babe in arms, made the journey from Jhung [100 miles North of Multan] in
November 1947. Prem Uncle travelled by bus from Ambala to meet them in Amritsar
and counted 18-20 dead bodies for every mile - Muslims slain by Hindus and Sikhs.
He recounted one Sikh waving a bloodied sword, shouting out loud: chuha nussriya si, maar ditta [xiii].
Urvashi Butalia in her research
interviews[xiv]
has spoken of the brutal atrocities that came to pass where daughters and
mothers were drowned or burned alive, ostensibly to protect them and one has
read of violence that was perpetrated at this time but, to hear it from family
members who saw and survived it, sends shivers down my spine.
In my family, Partition and life
in Pakistan is not much spoken of and if the siblings had spoken amongst
themselves in Multani, I wouldn’t have understood. This whole episode only came
to light in early 1980s. I was a student in London and there was a revival of interest
in all things Indian, especially the British Raj. Richard Attenborough’s film Gandhi was screened and Paul Scott’s Jewel in the Crown televised, which led
to my own exploration of this era. On a visit home to Delhi, I questioned my
father and was told of the evacuation duties and Dindi Uncle’s train journey
from Multan.
At an earlier wedding three years
ago, I had stayed with Dindi Uncle and Shanta Aunty in their apartment on
Altamount Road and gingerly broached the subject. Then, Dindi Uncle revealed
something I cannot get out of my mind: as a teenager of seventeen years he
travelled alone and the single most important thing for him on that journey, from
Multan to Lahore, had been to find a safe place to hide, inside trunks or some
such, during the night, fearing for his life. The mood was savage and each night people were
massacred on trains crossing over to India and Pakistan. These are things one
has heard and read and since Punjab was divided, it’s obvious my family from
Multan would have been affected but, they never really shared much of this experience.
Psychiatrist that are studying
the consequences of events surrounding Partition say that, “regardless of the books written
and films made about Partition, to a great degree Indians
and Pakistanis have never worked through this monumental guilt, nor the other
complex, concurrent emotions. Rather, we continue to love and hate
each other through petty sibling rivalry and dangerous wars.”[xv]
I do believe such experiences
must have affected the emotional and psychological landscape of individuals who
underwent them, regardless of the degree of trauma. And, unresolved issues and
emotions do tend to get passed on, directly and indirectly, to subsequent
generations so I wanted to record a full-fledged interview with Dindi Uncle but
he never got around to answering my written questions. His other siblings have
also been reluctant to speak much and whatever information I have, has been prised
through various informal conversations.
Dindi[xvi]
Uncle is my father’s youngest sibling and has always been the live-wire of our
family. When my elder sister Bunty got married in 1978, he began the tradition
of dancing at family weddings with a glass full of Scotch Whiskey on his head.
This time too, at 81 years of age, a year after suffering a stroke, he tried
doing the same again. 
The best part of the wedding
festivities for me was to see the dress parade. The backs, or rather lack of
them, of the lehenga-choli’s[xvii]
and saree blouses were daring to say
the least. My younger sister, Deepika, was here from Princeton, and carried off
this spectacular chooridar[xviii]
outfit where the kurta[xix]
was virtually backless. Priyanka, Meenal [Nanna’s elder sister] and Nanna too, wore
blouses that were exceptionally revealing. Each outfit the bride wore for the
functions was more ostentatious than the last. At the Mehndi[xx]
ceremony, bejewelled and dressed in a bright orange, elaborately embroidered
lehenga, her hands and arms covered with henna, Nammu reclined on saffron and
pink cushions placed on a stage, against the backdrop of a glass wall with water
cascading behind it. The scene was definitely filmi[xxi]
with an air of royalty about it. Her mother jokingly claimed that Nammu had even
asked her friends to press her legs as she reclined on the cushions.
Punjabis like to eat, drink and
be merry and are generous hosts. My mother once narrated an incident when newly
married; she had been reprimanded by Mataji for not being hospitable enough,
because in her new family it was considered impolite for guests to eat unless
you asked at least five times! On another occasion, a Punjabi friend married into a Bengali family, was
bored at a recent family wedding in Kolkata so started singing Punjabi tappas[xxii]
with her daughter, which inspired their
Bengali brethren to dance, uncharacteristically, on the streets, till the wee
hours of the morning. My sisters and many cousins are NRI’s[xxiii]
but game to travel and attend all, if not most, family weddings. As I write,
Meenal’s daughter Priyanka just got married in Thailand and most that were at
Nammu’s wedding were jiving to desi beats at the Shangri-La Hotel in Bangkok,
just few months later.
There was a lot of preparation that went into the festivities for Namrata’s wedding. Nanna had even organised a professional choreographer to train her various cousins, siblings, nieces, nephews and children to dance to various Bollywood numbers for the Mehndi and Sangeet. As mother of the bride she did the honours with current hit song ‘Ooh La La La’, from Vidya Balan starrer ‘The Dirty Picture’, to loud hooting and cat calls from the rest of us. I recollect that when my cousins and sister married in the 1970’s, there was no such fanfare. Usually family members sang at weddings, led by some aunt or other. A dholki[xxiv] was the only prerequisite and everyone sang and danced as best they could. The standard Punjabi songs like ‘Kala doria or ‘Sooe vacheera’ were popular. These traditional Punjabi wedding songs playfully teased the bride and groom and various relatives were part of the cheda khani[xxv] too. Sangeets then were more intimate and informal. Things had changed a lot.
There was a lot of preparation that went into the festivities for Namrata’s wedding. Nanna had even organised a professional choreographer to train her various cousins, siblings, nieces, nephews and children to dance to various Bollywood numbers for the Mehndi and Sangeet. As mother of the bride she did the honours with current hit song ‘Ooh La La La’, from Vidya Balan starrer ‘The Dirty Picture’, to loud hooting and cat calls from the rest of us. I recollect that when my cousins and sister married in the 1970’s, there was no such fanfare. Usually family members sang at weddings, led by some aunt or other. A dholki[xxiv] was the only prerequisite and everyone sang and danced as best they could. The standard Punjabi songs like ‘Kala doria or ‘Sooe vacheera’ were popular. These traditional Punjabi wedding songs playfully teased the bride and groom and various relatives were part of the cheda khani[xxv] too. Sangeets then were more intimate and informal. Things had changed a lot.
Punjabis are known for dikhava – pomp and show. They are
emotional people and known to grieve with as much passion as they celebrate and
have a tendency to live larger than life.
And when they are merry, they are very, very merry, with no scope for
anything but merry making. The music and revelry is so catching that no-one
comes away from a Punjabi wedding feeling anything but merry.
As a photographer-observer of this
wedding, while editing the photos I relived the revelry and meeting of aged relatives.
I noted the lines that etched their faces with memory and experiences and
wondered how they had not seemed to let these get in the way. Each was
apparently successful in his/her chosen endeavour. Everything had been left behind
in Pakistan and whatever moveable’s Pitaji had entrusted to an aide of Prem
Uncle’s, to bring to India, had been looted en route, so all they had to rely
upon was their education and the meagre belongings they managed to carry with
them on that hostile journey.
I realise that what my family
underwent was a fraction of what many others experienced. And it’s possible
that their personal trauma took a back seat in the face of the national
catastrophe that Partition became, but how does anyone put such experiences
behind them? How much of it has been
resolved or reconciled with and how much of this lies buried beneath the rigour
of getting on with living? Or for that matter how much has been subconsciously
passed onto us by omission or commission are questions that keep coming up. But
the naach-gaana, band baaja baarat[xxvi]
continues.
“What is history? If you mean ‘personal history’, it is perhaps what
one would most like to forget”
Thomas Merton
[i] From
HMS Pinafore – Gilbert and Sullivan
[ii]
Vinita
[iii]
My father, his eldest sibling Shiela Aunty and his eldest brother Vishu uncle
[iv]
Father’s sister
[v]
Maternal grandmother
[vi] engagement
[vii]
Song and dance event
[viii]
Goings-on
[ix]
Born 1884
[x]
Sub-caste of Khsatriya
[xi]
hat
[xii]
Father’s youngest brother
[xiii]
The mouse was scuttling away, I killed him!
[xiv]
The Other side of Silence
[xv] The
Psychiatrist's Partition - Anirudh K Kala, Alok Sarin and
Sanjeev Jain
[xvi]
Devinder Nath
[xvii]
Skirt-blouse - gown
[xviii]
Tights
[xix]
Knee length dress worn over chooridar or shalwar
[xx]
Henna
[xxi]
Inspired by Hindi/Bollywood films
[xxii]
Wedding songs that tease the bride and groom with rhyming verse
[xxiii]
Non-resident Indians
[xxiv]
drums
[xxv] Playful
teasing
[xxvi]
Dance, song, band, music, groom pageant
[xxvii]
Conjectures of a Guilty Bystander
